New music alert: Discovery Ft. members of Vampire Weekend and Ra Ra Riot

A new collaboration between one heavy weight indie band member, Rostam Batmanglij (Vampire Weekend) and one semi-heavy weight, Wes Miles (Ra Ra Riot) are causing some waves. As my one friend put it, “this discovery album is effen serious”.

The album is called “LP” (clever boys), and is due out on July 7th off of XL. Not only is the album the work of these two indie kids, but some guest vocals are provided by Ezra Koenig, the lead singer of Vampire Weekend and Angel Deradooria from the recently transcended Brooklyn based group, Dirty Projectors.

This is some really fantastic electronic pop melodies. If you were lacking in tunes to jam late night this summer time, don’t fret. Below you can give the songs a test drive on YouTube.

“Orange Shirt”

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“Osaka Loop Line”

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“I Want You Back” (Jackson 5)

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“Swing Tree”

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“So Insane”

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“I Wanna Be Your Boyfriend (ft. Angel Deradoorian)”

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Michael Jackson (August 29, 1958 – June 25, 2009)

michael-jacksonWhat a freaky day in icon world. Not only does every boys fantasy girl pass away after a long stand fighting cancer but the freaking KING OF POP dies! I don’t want to over shadow Farrah Fawcett because once again, she was and probably will remain to be every young male’s fantasy girl, but when you go on the same day as someone like Michael Jackson who not only defined one generation but multiple and brought together soul and pop music to create what has been hailed as the greatest cross over album in the histroy of recorded music, Thriller.  Well, there’ s not much more I have to say.

There’s no question that my obsession with music was partly due to the “man in the mirror”. I’m not ashamed to say that I stood in front of the TV when Thriller came on trying to memorize the dance moves with my sisters.

Here’s a little playlist of some, and I stress some, of my favorite MJ tunes. Enjoy.

Review of Andrew Bird @ BoA Pavilion 6/19/08

Andrew Bird - BoA Pavilion 1On this gloomy Friday, that turned into a partial sunny afternoon, we dragged our work week bodies to the Seaport Bar & Grill for some pregame beverages before walking over to the Andrew Bird / Calexico show at the BoA Pavilion with a clear understanding to catch all of the opener.  Those unfamiliar with Calexico, get familiar.  Originating from Tuscon, Arizona, they’ve been around the block.  If you listen to WERS you’ve probably heard their latest single, “Two Silver Trees “, off of Carried to Dust.  Over the years they’ve received sporadic recognition and exposure such as their collaboration with Iron & Wine for an EP, In the Reins, but are definitely due for more.  One of their more famous tracks is a cover of the Love song, “Alone Again”, which closed out their set and forced us out of our seats to get the blood flowing before Andrew hit the stage.  Turning around at the end of their set, I was happy to see a good portion of the venue filled.  I’m sure they picked up a few new fans from this night.

Over all, the venue was a little more then half full for the show.  A bit odd, considering Andrew Bird has been gracing the Boston area with his presence for over a decade (from Johnny D’s, to Middle East to Berklee to the Pavilion).  But it was also refreshing to go up to get a beer and not have any line.

“Sweetbreads” opened the set, which is more commonly known as “Dark Matter” off of Armchair Apocrypha.  Andrew was his usual talkative self and explained after this song that he was inspired by a cook book about sweetbreads that he once read while half asleep and thinking about eating thoughts.  As he rambled he began to confuse himself and the crowd.  Andrew likes to open his mouth and let his thoughts do all the talking so it’s usually disjointed.  Sticking with the same album, they jumped into a lively rendition of “Fiery Crash”.

Reaching back a little father into his library, they played the slow and fidgety tune, “Opposite Day”, from …Mysterious Production of Eggs.  The next set of songs would highlight his latest release, Noble Beast, starting with  “Fitz and Dizzyspells”.  The energy from this song was a sign of things to come for this show.  “Natural Disaster” followed and relaxed the crowd back from the edge of our seats where we sat bobbing our heads to Fitz.  “Mastersworm”, a song about radiolarians, tiny microorganisms that live at the bottom of the ocean.  Andrew is a tried and true nature boy and it shows throughout his lyrics.  Before moving on, he explained that the next couple of tunes are about anti-social tendencies.  “Oh No”, the Noble Beast single and one of Bird’s greatest whistle-a-long songs to date, was first up.  We tried to whistle with him but not every human being has as much saliva as Bird so this was short lived.  “Effigy” was the second anti-social inspired song.  The next song, “Anonanimal”, was inspired by the animals from the movie The Dark Crystal as Andrew explained.  How can you not love this guy.

The first and only cover of the night was an old timey tune called “Trials, Troubled, Tribulations”.  The next song, “Imitosis”,  showcased the chops of Andrew’s drummer, Martin Dosh.  I was hoping to get a “Simple X”, a song that blew me away at the Berklee show a couple years back and introduced me to Dosh’s abilities.  “Cataracts” slowed things down but this was necessary for what was to come.

This was the last show for the joint Andrew and Calexico bill.  Andrew has known the boys from Calexico for sometime and was very sad to see their paths divide.  We all knew what this meant, it was time to use up the space on the giant stage; enter the six members of Calexico.  “Skin is, my” kicked things off and as the guitars roared and horns soared towards the first chorus, the crowd slowly rose to their feet.  For the remainder of the show most of us stood to pay homage to the amazing performance unraveling in front of us.  The sound was huge and everyone was feeling it.  Even folks who would rather sit joined in on the excitement.  When they broke into “Synthian Empire”, I turned to my friend Josh in excitement.  I had claimed this my favorite song of the year back in 2007 when Armchair Apocrypha came out and hearing it with Calexico on stage was a huge treat for these ears. One more with everyone, the sneaky but heartfelt song,  “Tables and Chairs”, found on …Mysterious Production of Eggs.  As they took their bows and left the stage, the crowd roared and banged on chairs giving them a clear sign that we would not be happy with just one more song.

Up until this point they had played songs from only the past three albums, besides the old timey cover tune.  So it was a special moment when Bird came out all alone to pull off “Why?”, a song from his 2001 release, The Swimming Pool.  As he rubs his head and moves about sporadically, this song shows off Andrew’s madness perfectly.  From the pluck of the strings to the vilont stoke of his bow with horsehair loosely flying about, Andrew Bird is a true modern day virtuoso.

They went on to play two more songs in the first encore (“Headsoak” and “Fake Palindromes”).  Then, feeling the excitement in the crowd, Andrew came back out for a 2nd encore and played “Don’t Be Scared” off of his 2003 album, Weather Systems.

It was quite a night and ranks up there with shows I’ve seen at the pavilion as well as shows I’ve seen period.  We took a lot of pictures, below are just a handful.  To see more, go to T Dog’s Flickr page.

Complete setlist:

  1. Sweetbreads/Dark Matter
  2. Fiery Crash
  3. Opposite Day
  4. Fitz and Dizzyspells
  5. Natural Disaster
  6. Mastersworm
  7. Oh No
  8. Effigy
  9. Anonanimal
  10. Trials, Troubles, Tribulations
  11. Imitosis
  12. Cataracts
  13. Skin is, My (w/ Calexico)
  14. Scythian Empire (w/ Calexico)
  15. Tables and Chairs  (w/ Calexico)

1st Encore:

  1. Why?
  2. Headsoak
  3. Fake Palindromes

2nd Encore:

  1. Don’t Be Scared

Pictures from the show:

Andrew Bird whistline

Andrew Bird - BoA Pavilion 3

Matt Dosh - BoA Pavilion

Andrew Bird - BoA Pavilion 2

Andrew Bird and Calexico

Passion Pit @ Paradise Rock Club 6/18/09

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When I first heard “Sleepyhead” early last year I didn’t know what quite to think. Minus the vocals, the sound was familiar. Electropop is nothing new and is considered by some to be almost mainstream thanks to Matt Murphy and his LCD Soundsystem project and our friends across the pond, Hot Chip. But if I had to choose one of the two that Passion Pit reminds me the most of it’s LCD. Not necessarily because of their sound but because of how the music is produced and written. In essence, a one man show.

In no way am I discounting the talent that now supports Michael Angelakos. As clearly stated at this show, Passion Pit is more a band then it is a moniker like LCD Soundsystem is for Matt Murphy.  Keeping the beat behind the drums with his big studio headphones is Nate Donmoyer, on the synth/samples/guitar is Ayad Al Adhamy, on bass is Jeff Apruzzese and on the keyboard is Ian Hultquist.  It’s still way too early to say whether ‘Pit will have a similar rotating cast of characters like LCD but it’s safe to say that right now, the band appears to be locked in to a groove.

I began the show in the pit, snapping a few shots before handing it off to my photo guerrilla, T dog. Therefor, the performance didn’t start to really hit me until they played “Secret Place”. As I suspected in my preview, the chorus section that uses a group of kids for the melody was supported by the crowd, but not because the band asked them to, but because the crowd wanted to. This formula suites Passion Pit very well. Besides Michael’s vocal style, this helps differentiate them from the other electropop bands. Later, when they played “The Reeling” for the encore, the crowd responded with force, “Oh noooooooo”, over and over again.

Besides the typical standouts, “The Reeling” and “Sleepyhead”, a song that took me for a ride was “Swimming in the Flood”. One of the slower tracks on Manners, their debut album.  With its simple keyboard line over Michael’s floating vocals, this song does a nice job of lifting the crowd in to a frenzy as it draws to a close.

With the family and close friends in attendance, the band was excited to be home.  To me, it seems as if lead man, Michael Angelakos, is a bit shocked by the rush of success and attention they’ve received.  Everyone else appears pumped to be along for the ride.  It must be a daunting thought to be the main song writer for a band that has only one hour of material, was signed by a major label (they are signed to Columbia Records in the U.K.), and will be under the gun to reach into his brain to pick out more “Sleepyheads” and “The Reelings” to keep the momentum going.  It’s a daunting task but one I sense Michael is up to.

One thing is for sure, the kids were jamming last night.  I’ve said it before and I’ll say it again, the Paradise is by far the best midsize venue in the greater Boston area.  From the giant polls painted to look like funky trees that stand smack in the middle of the room to the close proximity of the balcony that hovers over the crowd, there’s a sense of comradery in the ‘Dise.  Every show that’s geared towards dancing should be performed here.  My only comment would be to the house sound team.  The bass amps stage right were a bit ridiculous.  I felt my brain move several inches to the left and right every time the bass or kick drum was hit with force.

I look forward to following Passion Pit and hope that next time around instead of one hour of music in their repertoire they’ll have two hours to help keep the party going.

Here are some more pics from the show for your enjoypassion_pit_4ment.passion_pit_10

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passion_pit_19passion_pit_17For more Passion Pit info, visit the following sites:
www.myspace.com/passionpitjams

www.passionpitmusic.com

Passion Pit tonight at Paradise in Boston (Sold Out)

Going to the Passion Pit show tonight at the Paradise Rock Club. Should be a good time as it’s a home coming show for these Emerson students. Not even sure you can call them students anymore based on the media reaction to their latest album, Manners.

Buy Manners: (Amazon) (iTunes) (Insound) (eMusic)

Looking forward to seeing how the crystal clear production on the album translates in a live show. Wonder if they’ll keep the chorus of kids in the music some how for songs like “The Reeling” and “Little Secrets”. I bet, in fact I’d be willing to put a PBR on this one, they encourage the crowd to sing the parts. I can see it now, “higher and higher, higher and higher”.

See you kiddies there.

Stream “The Reeling” (Mike Snow Remix) courtesy of RCRDLBL

Bonus Downloads

Listen & Download: “The Reeling” (Wallpaper. Remix)
Listen & Download: “Sleepyhead” (Wallpaper. Dio Remix)