Playing in Boston
Where: Great Scott
When: Thursday, January 20th
Price: $12
Buy Tickets
Where: Great Scott
When: Thursday, January 20th
Price: $12
Buy Tickets
If you don’t remember, Wilco announced at their show in April here in Boston that they’ve curated a music festival here in the great state of Massachusettes. It’s taking place in North Adams and here is the awesome promo video for the event.
Check out the full Solid Sound Festival line up.
Buy tickets to the Solid Sound Festival

Leave it to Wilco to walk out to the theme song from the Price Is Right. The analogy isn’t too far off with Tweedy’s Bob Barker like banter throughout the show – somewhat condenscending at times but always cunning. They also gave away two “dinner for two” gift certificates to the great Central Square based restaurant, Craigie on Main, so the game show experience is perhaps a good way to describe a Wilco show.
While the Price Is Right is a seasoned game show, the band on display this very night is the epitome of seasoned professionals. From the band members to the crew, Wilco have their concert performance down to the minute details. But I can’t kid myself as to who was truly on display this very night. For some, the single note from Miles Davis’s trumpet makes them cry while for others it’s the sound of Yo-Yo Ma’s cello. For me, the guitar has always been my go to instrument and when played to perfection it moves me like no other.
I was already aware of Nels Cline’s talent before this night. The album Sky Blue Sky basically nailed that notion into the coffin. But seeing this mad genius live takes it up a notch. And there’s no better song then “Impossible Germany” that puts this into full perspective. I couldn’t find a video of this song from the Boston show but here’s a good quality live version. Wait till about 2:45 minutes into the song and let Nels take you on a ride for a little more then three minutes. It may be the best three minutes you’ll spend all day.
What’s really amazing about this band is their endurance. Playing for over three hours straight, a total of forty-one songs on this night, will put just about any man or woman into submission but these guys are doing it every night they take the stage this tour. As a fan, you’re bound to here your favorite song whether it’s an oldie from albums like A.M., Being There or Summerteeth, or off their critically acclaimed album Yankee Hotel Foxtrot, Wilco is prepared to show just about every type of fan why they’re one of the best bands around today.
Full Set List:
Wilco (Wilco the Album)
Blue Black Nova (Wilco the Album)
You Are My Face (sky blue sky)
I am trying to break your heart (Yankee Hotel Foxtrot)
One Wing (Wilco the Album)
Shot in the arm (Kicking Television)
Either Way (Sky Blue Sky)
Company in my back (A Ghost is Born)
Sonny Feeling (Wilco the Album)
Handshake drugs (A Ghost is Born)
Impossible Germany (Sky Blue Sky)
It’s Just That Simple (AM)
California Stars (Mermaid Ave.)
Poor Places (Yankee Hotel Foxtrot)
Acoustic Set:
Spiders (Kidsmoke)
How to Fight Lonliness (Wilco the Album)
You and I (Wilco the Album)
Forget the Flowers (Being There))
Someday, Some Morning, Sometimes (Mermaid Ave.)
Laminated Cat (Originally called Not For The Season until Tweedy reworked it for the Loose Fur album)
When You Wake Up Feeling Old (Summerteeth)
War on war (Yankee Hotel Foxtrot)
Passenger Side (AM)
I Must Be High (Summerteeth)
Airline to Heaven (Mermaid Ave)
- Segued right back into the electric set -
Via Chicago (Summerteeth)
Theologians (A Ghost is Born)
You Never Know (Wilco the Album)
Jesus etc (Yankee Hotel Foxtrot)
Hate it Here (Sky Blue Sky)
Heavy metal drummer (Yankee Hotel Foxtrot)
I’m Always in Love (Summerteeth)
Walken (Sky Blue Sky)
I’m the man who loves you (Yankee Hotel Foxtrot)
Thank You Friends (Big Star cover)
Encore:
Dreamer in My Dreams (Being There)
Casino Queen (AM)
Outtasite (Outta Mind) (Being There)
For you Bitorrent people, here’s the recording of the Boston Show.
More pictures of this Boston show can be found at baumannphoto’s Flickr page.
They play just two more shows in the states – tonight in Philly (4/10) and then in Pittsburgh the following night – before they head to the far east, starting in Japan then heading to New Zealand. See the rest of their tour dates. They announced at this show their curated festival later this summer here in Massachusetts (North Adams), the Solid Sound Festival @ Mass Moca on August 13th.
I’ve been searching around YouTube recently for videos of Phish because you can’t really get a feel for this band unless you see them live.
It’s hard to argue against the fact that Phish fans are some of the most loyal fans in all of music. Heck, even Travis McCoy from the pop group Gym Class Heroes went to a show this tour and said on his Twitter account, “Most devoted fans I’ve ever seen…My hat is off to these guys yo.” Not that this means too much coming from a pop dude like this but nonetheless, however annoying you may find them, they’re going to stick by their band through thick and thin.
And with loyalty comes dedication to capturing the moments every Phish fan craves and looks forward to talking about with friends and family members even if their friends would rather they keep their enthusiastic stories to themselves. In the past, this dedication was usually in the form of taped recordings. Phish allows a certain amount of tapers to record each show and in return these tapers trade and share their recordings with the community. In fact, many professional marketers see this as one of the most powerful techniques in marketing – to give your information away for free. David Meerman Scott writes in his book, World Wide Rave, “do you market like Led Zeppelin or the Grateful Dead.” Of course he’s referring to the same type of freedom the Dead gave their fans in recording that Phish gives to theirs. This creates what they call a “long tail” effect. For example, even thought Phish went without playing a single live show or releasing any album for almost 5 years, they still had kids in high school that followed and listened to all their live music that was floating around the internet and from being past down from big brother or sister.
But video is slowly but surely taking on a more prominent role in the Phish world. Many are bringing in cameras that are capable of recording high quality shots. I’m guessing many have the HD Flip cameras. They then post to YouTube to share to the world.
An even more hardcore sharing technique is live streaming of the shows through ones iPhone or other mobile device. Sites like Ustream can have upwards to 2 even 3,000 viewers at once during a live show. And often times these streams are choppy and have poor sound quality yet the fans will continue listening so as to feel like they’re a part of the experiencing taking place at that very moment. One of the more popular channels is the Hood Stream channel.
For me, these clear and crisp videos are remarkable and I look forward to sifting through to find some great jams. Here are some of these amazing video guerrillas at work.
Phish @ Madison Square Garden, NY, NY 12-2-09 “Peaches en Regalia (Frank Zappa cover)”

On this gloomy Friday, that turned into a partial sunny afternoon, we dragged our work week bodies to the Seaport Bar & Grill for some pregame beverages before walking over to the Andrew Bird / Calexico show at the BoA Pavilion with a clear understanding to catch all of the opener. Those unfamiliar with Calexico, get familiar. Originating from Tuscon, Arizona, they’ve been around the block. If you listen to WERS you’ve probably heard their latest single, “Two Silver Trees “, off of Carried to Dust. Over the years they’ve received sporadic recognition and exposure such as their collaboration with Iron & Wine for an EP, In the Reins, but are definitely due for more. One of their more famous tracks is a cover of the Love song, “Alone Again”, which closed out their set and forced us out of our seats to get the blood flowing before Andrew hit the stage. Turning around at the end of their set, I was happy to see a good portion of the venue filled. I’m sure they picked up a few new fans from this night.
Over all, the venue was a little more then half full for the show. A bit odd, considering Andrew Bird has been gracing the Boston area with his presence for over a decade (from Johnny D’s, to Middle East to Berklee to the Pavilion). But it was also refreshing to go up to get a beer and not have any line.
“Sweetbreads” opened the set, which is more commonly known as “Dark Matter” off of Armchair Apocrypha. Andrew was his usual talkative self and explained after this song that he was inspired by a cook book about sweetbreads that he once read while half asleep and thinking about eating thoughts. As he rambled he began to confuse himself and the crowd. Andrew likes to open his mouth and let his thoughts do all the talking so it’s usually disjointed. Sticking with the same album, they jumped into a lively rendition of “Fiery Crash”.
Reaching back a little father into his library, they played the slow and fidgety tune, “Opposite Day”, from …Mysterious Production of Eggs. The next set of songs would highlight his latest release, Noble Beast, starting with “Fitz and Dizzyspells”. The energy from this song was a sign of things to come for this show. “Natural Disaster” followed and relaxed the crowd back from the edge of our seats where we sat bobbing our heads to Fitz. “Mastersworm”, a song about radiolarians, tiny microorganisms that live at the bottom of the ocean. Andrew is a tried and true nature boy and it shows throughout his lyrics. Before moving on, he explained that the next couple of tunes are about anti-social tendencies. “Oh No”, the Noble Beast single and one of Bird’s greatest whistle-a-long songs to date, was first up. We tried to whistle with him but not every human being has as much saliva as Bird so this was short lived. “Effigy” was the second anti-social inspired song. The next song, “Anonanimal”, was inspired by the animals from the movie The Dark Crystal as Andrew explained. How can you not love this guy.
The first and only cover of the night was an old timey tune called “Trials, Troubled, Tribulations”. The next song, “Imitosis”, showcased the chops of Andrew’s drummer, Martin Dosh. I was hoping to get a “Simple X”, a song that blew me away at the Berklee show a couple years back and introduced me to Dosh’s abilities. “Cataracts” slowed things down but this was necessary for what was to come.
This was the last show for the joint Andrew and Calexico bill. Andrew has known the boys from Calexico for sometime and was very sad to see their paths divide. We all knew what this meant, it was time to use up the space on the giant stage; enter the six members of Calexico. “Skin is, my” kicked things off and as the guitars roared and horns soared towards the first chorus, the crowd slowly rose to their feet. For the remainder of the show most of us stood to pay homage to the amazing performance unraveling in front of us. The sound was huge and everyone was feeling it. Even folks who would rather sit joined in on the excitement. When they broke into “Synthian Empire”, I turned to my friend Josh in excitement. I had claimed this my favorite song of the year back in 2007 when Armchair Apocrypha came out and hearing it with Calexico on stage was a huge treat for these ears. One more with everyone, the sneaky but heartfelt song, “Tables and Chairs”, found on …Mysterious Production of Eggs. As they took their bows and left the stage, the crowd roared and banged on chairs giving them a clear sign that we would not be happy with just one more song.
Up until this point they had played songs from only the past three albums, besides the old timey cover tune. So it was a special moment when Bird came out all alone to pull off “Why?”, a song from his 2001 release, The Swimming Pool. As he rubs his head and moves about sporadically, this song shows off Andrew’s madness perfectly. From the pluck of the strings to the vilont stoke of his bow with horsehair loosely flying about, Andrew Bird is a true modern day virtuoso.
They went on to play two more songs in the first encore (“Headsoak” and “Fake Palindromes”). Then, feeling the excitement in the crowd, Andrew came back out for a 2nd encore and played “Don’t Be Scared” off of his 2003 album, Weather Systems.
It was quite a night and ranks up there with shows I’ve seen at the pavilion as well as shows I’ve seen period. We took a lot of pictures, below are just a handful. To see more, go to T Dog’s Flickr page.
Complete setlist:
1st Encore:
2nd Encore:
Pictures from the show:




