Passion Pit @ Paradise Rock Club 6/18/09

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When I first heard “Sleepyhead” early last year I didn’t know what quite to think. Minus the vocals, the sound was familiar. Electropop is nothing new and is considered by some to be almost mainstream thanks to Matt Murphy and his LCD Soundsystem project and our friends across the pond, Hot Chip. But if I had to choose one of the two that Passion Pit reminds me the most of it’s LCD. Not necessarily because of their sound but because of how the music is produced and written. In essence, a one man show.

In no way am I discounting the talent that now supports Michael Angelakos. As clearly stated at this show, Passion Pit is more a band then it is a moniker like LCD Soundsystem is for Matt Murphy.  Keeping the beat behind the drums with his big studio headphones is Nate Donmoyer, on the synth/samples/guitar is Ayad Al Adhamy, on bass is Jeff Apruzzese and on the keyboard is Ian Hultquist.  It’s still way too early to say whether ‘Pit will have a similar rotating cast of characters like LCD but it’s safe to say that right now, the band appears to be locked in to a groove.

I began the show in the pit, snapping a few shots before handing it off to my photo guerrilla, T dog. Therefor, the performance didn’t start to really hit me until they played “Secret Place”. As I suspected in my preview, the chorus section that uses a group of kids for the melody was supported by the crowd, but not because the band asked them to, but because the crowd wanted to. This formula suites Passion Pit very well. Besides Michael’s vocal style, this helps differentiate them from the other electropop bands. Later, when they played “The Reeling” for the encore, the crowd responded with force, “Oh noooooooo”, over and over again.

Besides the typical standouts, “The Reeling” and “Sleepyhead”, a song that took me for a ride was “Swimming in the Flood”. One of the slower tracks on Manners, their debut album.  With its simple keyboard line over Michael’s floating vocals, this song does a nice job of lifting the crowd in to a frenzy as it draws to a close.

With the family and close friends in attendance, the band was excited to be home.  To me, it seems as if lead man, Michael Angelakos, is a bit shocked by the rush of success and attention they’ve received.  Everyone else appears pumped to be along for the ride.  It must be a daunting thought to be the main song writer for a band that has only one hour of material, was signed by a major label (they are signed to Columbia Records in the U.K.), and will be under the gun to reach into his brain to pick out more “Sleepyheads” and “The Reelings” to keep the momentum going.  It’s a daunting task but one I sense Michael is up to.

One thing is for sure, the kids were jamming last night.  I’ve said it before and I’ll say it again, the Paradise is by far the best midsize venue in the greater Boston area.  From the giant polls painted to look like funky trees that stand smack in the middle of the room to the close proximity of the balcony that hovers over the crowd, there’s a sense of comradery in the ‘Dise.  Every show that’s geared towards dancing should be performed here.  My only comment would be to the house sound team.  The bass amps stage right were a bit ridiculous.  I felt my brain move several inches to the left and right every time the bass or kick drum was hit with force.

I look forward to following Passion Pit and hope that next time around instead of one hour of music in their repertoire they’ll have two hours to help keep the party going.

Here are some more pics from the show for your enjoypassion_pit_4ment.passion_pit_10

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passion_pit_19passion_pit_17For more Passion Pit info, visit the following sites:
www.myspace.com/passionpitjams

www.passionpitmusic.com

Passion Pit tonight at Paradise in Boston (Sold Out)

Going to the Passion Pit show tonight at the Paradise Rock Club. Should be a good time as it’s a home coming show for these Emerson students. Not even sure you can call them students anymore based on the media reaction to their latest album, Manners.

Buy Manners: (Amazon) (iTunes) (Insound) (eMusic)

Looking forward to seeing how the crystal clear production on the album translates in a live show. Wonder if they’ll keep the chorus of kids in the music some how for songs like “The Reeling” and “Little Secrets”. I bet, in fact I’d be willing to put a PBR on this one, they encourage the crowd to sing the parts. I can see it now, “higher and higher, higher and higher”.

See you kiddies there.

Stream “The Reeling” (Mike Snow Remix) courtesy of RCRDLBL

Bonus Downloads

Listen & Download: “The Reeling” (Wallpaper. Remix)
Listen & Download: “Sleepyhead” (Wallpaper. Dio Remix)

Andrew Bird @ BoA Pavilion this Friday in Boston

andrew bird with violinThat crazy melody making whistler is gracing us with his presence this Friday at the BoA Pavilion.  I’m excited cause it’s my first show at the pavilion (also known as Harbor Lights) this summer and it never officially feels like summer until I get down there.  I’m hoping our weather will feel the  same way and open up its heart to summer time weather once the birdman passes through our corner of the world.  Seriously, this weather is getting to be a bit depressing.

If you’re new to Andrew Bird, I highly recommend starting with the album, Mysterious Production of Eggs.  This is the album that first grabbed a hold of me and it was the song, “A Nervous Tic Motion of the Head to the Left”, off of this album that first drew me to investigate the “mysterious” songstress.  I even remember the blog it came from, lovely Fluxblog (Grab it from My Old Kentucky Blog).

The great thing about seeing Andrew live is the songs are often changed up from their studio arrangements.  Andrew is truly a modern day prodigy and can never seem to stop thinking about different arrangements for all the melodies floating in his brain (Read his New York Times article on how he writes songs in their Measure for Measure blog).

On the albums, Andrew writes and I believe plays most if not all the instruments.  However, instead of watching him create loops for half the show (it’s more like a quarter), he brings along some friends to jam out.  Martin Dosh provides back up on percussion, loops and keys.  Keep an eye out for “Simple X”, a Dosh song that made it on Andrew’s previous release, Armchair Apocrypha.  The last show I saw they nailed it and the song highlights Dosh’s otherworldly percussion skills.  Jeremy Ylvisaker supports on the guitar, bass, organ and shortwave.  A recent addition is Mike Lewis, who plays with Jeremy Ylvsaker in Alpha Consumer.

Buy tickets to the show

Buy Noble Beast (released in January 2009)

Download & Listen: “Oh No” (from Noble Beast)

Official Andrew Bird website: www.andrewbird.net

Myspace page:  www.myspace.com/andrewbird

Tour Dates:

Jun 15 – Cobb Energy PAC – Atlanta, GA
Jun 18 – Radio City Music Hall – New York, NY
Jun 19 – Bank of America Pavilion – Boston, MA
Jul 10 – Greek Theatre – Los Angeles, CA
Jul 11 – Greek Theatre – Berkeley, CA
Jul 13 – Red Butte Garden – Salt Lake City, UT
Jul 14 – Red Rocks Amphitheatre – Morrison, CO
Jul 16 – Britt Pavilion – Jacksonville, OR
Jul 17 – Marymoor Amphitheatre – Redmond, WA
Jul 18 – McMenamins Edgefield Amphitheater – Troutdale, OR
Jul 19 – McMenamins Edgefield Amphitheater – Troutdale, OR
Jul 26 – Squaw Velley Ski Resort – Olympic Valley, CA
Aug 7 – Lollapalooza – Grant Park – Chicago, IL
Aug 8 – Lollapalooza – Grant Park – Chicago, IL
Aug 9 – Lollapalooza – Grant Park -  Chicago, IL
Oct 2 – Austin City Limits Festival – Austin, TX
Oct 3 – Austin City Limits Festival – Austin, TX
Oct 4 – Austin City Limits Festival – Austin, TX

Phish @ Fenway Park – 5/31/09

If you told me five years ago that I would pay money to go see another Phish show I would have told you to go fly a kite. The last performance I saw up in northern Vermont was considered at the time to be the last Phish show ever. From the horrendous weather and muddy fields to the sloppy performance on stage, it was an experience I would like to forget. To me, I viewed this last show as closure. Kind of like a break up between two lovers because, in reality, Phish truly was my first musical love. Yeah, I had been into metal for a short time (Pantera, Sepultura), was obsessed with Nirvana and even went through a little Bob Marley phase like any normal adolescent. But it was Phish that grabbed my attention for over six years and fifty plus live shows.

Since I started to turn away from Phish around 2001 / 02, I began broadening my musical tastes. It started with Wilco, then Stephen Malkmus (& the Jicks), which eventually turned into my obsession for Pavement. Electronic music grabbed my attention and in walked Hot Chip followed shortly by LCD Soundsystem. Now it’s Grizzly Bear, Bon Iver and Deerhunter that visit me often through the iPod. In other words, I’ve evolved. And the biggest difference between these bands and Phish is that their musicianship far exceeds that of the foursome from Vermont. Not that each member of Phish isn’t musically talented. In fact, some of them are remarkably talented and can play several genres of music (rock, jazz, bluegrass). The problem is together as a band they don’t stretch a lot of boundaries in the studio. Most of their talent is left out on the playing field – the live stage.

When I first heard Phish was returning I wasn’t completely surprised. I also wasn’t completely ecstatic thinking I’d go to a show. Having been in the scene, I know how crazy the fans can be and it would surely be a circus at all the first few shows. But when they announced they’d be playing Fenway Park, which is a hop skip and jump from my current abode in Cambridge, I couldn’t pass it up. As I walked up to the park this past Sunday, I saw the sea of dreadlocks, crazy sunglasses, wacky head bands and your typical bug eyed hippy and thought to myself, “I wonder if it’s too late to turn back”. But I met up with my close friends and started to feel that old feeling I use to get when I was about to embark on a live Phish experience. It all starts with your friends and as I think more about it, a lot of what Phish is about is the experiences you share with friends.

My Fenway Review -

By now, most people remotely interested in the band are aware of the songs they played and those of you who don’t like Phish don’t care what they played so I’ll spare you the play by play.

Most reviews coming out give praise to the band, and rightly so. As Phish shows go, this was a top notch performance. The show brought out a few emotions. As expected, there was the sense of nostalgia. But what I didn’t necessarily expect was how much I would enjoy it. Since I stopped seeing Phish, I’ve rarely made trips to large venues. The main reason is there aren’t too many bands out there that can move a crowd of 30,000 like Phish can.

From the “Stash” to the rare “Destiny Unbound” (last performance was in Long Island back in 2003, but before then it hadn’t been played since 1991.  The common belief in why the song was shelved was that it sounded too much like the Grateful Dead.  For die hard Phish fans, being at a show when they break out a tune that’s been in hiding for a long period of time is like being touched by the hand of God).  As they finished off the first set with a climatic version of “Character Zero”, I was starting to remember what all the fuss was about when I was just a young and stupid teenager traveling all over the country.

During the first set break I looked around and saw familiar faces, sparked conversations with strangers discussing our past shows, how we thought the show was going or argued with a Mets fan how the Phillies are going to once again take the NL East. There’s no question that this sense of community was a huge part of why I became a Phish head to begin with. I’m happy to see this community is still thriving, even if it is tainted with a few bad apples here and there.

I do struggle with their new songs. I think a big reason for this is how much my musical tastes have changed. I also don’t like it when Trey tries to sing like a pop star. There are moments in “Time Turns Elastic”, their new 13 minute long epic, where I feel like I’m at a musical. In fact, this song could work perfectly in the musical Tommy. If this were the case, I’d rather here the Tommy song “Sparks” (listen to “Time Turns Elastic” at myspace.com/phish). Towards the end of the song, which turned out to be a 17 minute long adventure, they did manage to pull out a pretty rocking jam. I know, I bet some of you are probably cringing at the thought of standing there listening to a song that long.

They capped off the night perfectly with a killer “You Enjoy Myself” and if you thought the seventeen minute long “Time Turns Elastic” was ridiculous, get a load of the length of this one – 22 minutes!! Oh, BOY!!! From the beautiful appregio at the beginning, to the climatic jam (watch this section in the video below), to the trampolines that Trey and Mike (bass) jump on in unison as they groove along to the song, this truly is the quintessential Phish song.

Phish at Fenway – You Enjoy Myself from hip2besquare.net on Vimeo.

They left us like they did at the end of the first set with our jaws ajar. They played “Cavern”, “Good Times Bade Times” (Led Zeppelin cover) and “Tweezer Reprise”. Those of you who frequent Red Sox games may have heard the house DJ play “Tweezer Reprise” on occasion.

There will always be a special place in my musical explorations for a Phish show. No matter how old I am, I know that if there’s a Phish show around the corner I’ll most likely be there. I probably won’t be hopping in the car to drive from town to town catching ten shows in a row like the old days, but at least I’ll have my chances to meet up with friends, share a beer in the parking lot, look over at my buddy and high five him as they break into a rousing rendition of “You Enjoy Myself” or “Fluffhead”.

Now, on to tonight’s Grizzly Bear show where I look forward to continuing to broaden my horizons and expanding my passion for the glorious thing we call music.

Free Concert Announcement: Galactic at Paradise Rock Club

GalacticWe’re coming up on summer time here in Boston and as is the case with many major cities, we have lots of free concerts throughout the season.

To kick things off, I was recently made aware of a freebie at the Paradise Rock Club – Galactic.

Show is on Wednesday, May 6th and doors open at 7pm. It’s first come first serve so get there quick. Oh, and since it’s a alcohol sponsored event, must be 21+.

For tickets, go to www.thephoenix.com/beamrocks or www.galacticfunk.com